Collaborative Doctoral Partnerships
Oxford's AHRC Collaborative Doctoral Partnership (CDP) began in 2016 and offers three or four fully funded doctoral studentships each year.
The scheme, which is led by Dan Hicks (Pitt Rivers Museum), operates across the six gardens, libraries and museums: the Ashmolean Museum, Bodleian Libraries, History of Science Museum, Museum of Natural History, Oxford Botanic Garden and Arboretum and the Pitt Rivers.
Each CDP studentship is jointly supervised in partnership between one or more of Oxford University museums and academics from UK Higher Education Institutions (HEI).
The partner HEI administers the studentship, receiving funds from the Arts and Humanities Research Council (AHRC) for the student’s fees and maintenance in line with a standard AHRC award.
In addition to this full studentship award for fees and maintenance, Oxford University museums provide up to £2,000 per annum per student to cover the costs of travel between the HEI and Oxford, and related costs in carrying out research. Studentships can be based at any UK HEI apart from Oxford University.
The Collaborative Doctoral Partnership training grants will involve research that helps us to develop new perspectives on our collections and to share knowledge more widely and effectively with a range of audiences, while also training a new generation of scholars working between the academic and heritage sectors.
For general enquiries about Oxford University GLAM Collaborative Doctoral Partnerships please contact Dr Harriet Warburton, GLAM Research and Impact Manager, at harriet.warburton@glam.ox.ac.uk. For enquiries about specific projects please contact the project supervisors named below.

2020 CDP Student Projects at Oxford University Gardens, Libraries and Museums
The fifth round of Oxford University Gardens, Libraries and Museums Collaborative Doctoral Partnerships began in October 2020, in partnership with the University of Bristol; and Queen Mary University of London (QMUL), Birkbeck and the Institute of English Studies, School of Advanced Study (all part of the University of London). Further details of their research can be found by following the links below:

The Duchess of Botany: Mary Somerset, Jacob Bobart, and the Formation of the Oxford Botanic Garden
Queen Mary University of London (QMUL) and University of Oxford Botanic Garden and Arboretum (OBGA)
The studentship directly complements attention to OBGA’s heritage in preparation for celebrating the Botanic Garden’s 400th anniversary in 2021 by exploring key aspects of its early history. Research will examine the material and intellectual networks that supported the development of its plant collections and institutional structures during the later seventeenth century, with a particular focus on two intriguing figures: the elite female botanical collector, Mary Somerset, Duchess of Beaufort; and the Botanic Garden’s second superintendent, Jacob Bobart the younger.

Biocultural knowledge, power and poetics in South American featherwork
Birkbeck, University of London and Pitt Rivers Museum, University of Oxford
The focus of this doctoral project is on South American featherwork in the Pitt Rivers Museum (PRM) collections. While visitors gazing at the featherwork displays in the PRM might marvel at the sheer variety of objects’ forms, sizes and colours, the multitude of links between particular artefacts, peoples and places remain hidden; visitors are unable to discern and trace specific object histories, meanings and geographies. Exploring South American featherwork in the PRM collections, this interdisciplinary, practice-based doctoral project will seek to develop ways of telling histories of specific objects that shed light not only on the historical processes of collection in the field and the ‘lives’ of the objects in the museum, but also on contemporary debates on Indigenous cultural identity, sovereignty and heritage rights, as well as the dynamic relationships among Indigenous peoples, birds, and environments. This pioneering interdisciplinary project aims to provide understanding of these feathered objects as historical biocultural objects, which afford ways of telling the histories in which biodiversity emerges.

Creating the first Europeans
The University of Bristol (Department of Classics and Ancient History) and Ashmolean Museum of Art and Archaeology, University of Oxford (Department of Antiquities)
Over 100 years ago Sir Arthur Evans began excavating The Palace of Minos at Knossos, discovering a Bronze Age culture that he dubbed 'Minoan'. He presented Minoan Crete as the first European civilisation, a modern, sophisticated and imperialistic society. This vision was outlined in numerous publications, especially 'The Palace of Minos' (1921-35), and through contemporary displays in the Ashmolean Museum and beyond. The Palace of Minos was the name Evans gave the monumental building he excavated and reconstructed in concrete. Both publication and archaeological site still stand as a monument to Evans' work but recently many of his ideas have faced scrutiny.
By examining Evans's unpublished writings, publications and acquisitions held in the Sir Arthur Evans Archive at the Ashmolean, the student will assess how Evans' vision of the Minoans developed in the early 1900s. Main research questions: To what extent did Sir Arthur Evans' vision of the Minoans change over time and why? What was the role of the objects in Evans' possession in forming this vision? Conversely, how did his vision affect the presentation and publication of Minoan material culture?

Early Modern Copper Plates at the Bodleian Libraries
The Institute of English Studies (School of Advanced Study, University of London) and Bodleian Libraries, University of Oxford
Research will examine the origins and curatorial history of engraved and etched copper plates within the Bodleian’s collections, addressing historical and contemporary questions raised by the preservation of these three-dimensional printing matrices within a special collections library. The focus will be on 750 engraved and etched copper plates from the 17th and 18th centuries, part of the major collection of medieval manuscripts, books, and other antiquarian material bequeathed by Richard Rawlinson (1690-1755). The Rawlinson copper plates are part of a larger group of over 2000 intaglio printing plates preserved in the Bodleian Libraries.
2019 CDP Student Projects at Oxford University Museums
The fourth round of Oxford University Museums Collaborative Doctoral Partnerships began in October 2019, in partnership with University College London (UCL), University of Leicester and University of Warwick. Further details of their research can be found by following the links below:
- The evaluation of museum engagement: User Centred Design principles and the development of audience-focussed interpretation
Ellie King (University of Warwick in partnership with Oxford University Museum of Natural History)Supervised by Professor M Paul Smith at Oxford University Museum of Natural History and Professor Mark Williams and Dr Paul Wilson at Warwick Manufacturing Group (WMG) at University of Warwick
- The Iron Age to Roman transition in Britain from the perspective of coin hoards
Anni Byard (University of Leicester and the Ashmolean Museum, Oxford)
Supervised by Prof. Colin Haselgrove and Prof. David Mattingly (Leicester), Prof. Chris Howgego and Prof. Chris Gosden (Oxford)
- Material cultures of refuge in Lebanon
Hadiqa Khan (University College London and Pitt Rivers Museum, Oxford)
Supervised by Dr Matthew Davies and Dr Hanna Baumann (UCL), Professor Dan Hicks (Pitt Rivers Museum) and Dr Letty Ten Harkel (School of Archaeology, University of Oxford)
-
Science in the service of religion? A museum study
Mathilde Daussy-Renaudin (University College London in partnership with the History of Science Museum in Oxford)
Supervised by Dr Silke Ackermann (Oxford) and Professor Michael J. Reiss (London)
2018 CDP Student Projects at Oxford University Museums
The third round of Oxford University Museums Collaborative Doctoral Partnerships began in October 2018, in partnership with University College London and the University of Leeds. The studentships were awarded to Elaine Charwat and Susan Newell, further details of their research can be found by following the links below:
- The Nature of Replication: Re-contextualizing Natural History Models and Casts from 19th to early 20th century Britain and beyond
Elaine Charwat (University College London) in partnership with the Oxford University Museum of Natural History
Supervised by Dr Alice Stevenson (UCL) and Mark Carnall (OUMNH)
- Museum Collections, Academic Teaching, and the Making of Geology in the Nineteenth-Century University
Susan Newell (University of Leeds in partnership with the Oxford University Museum of Natural History and the Ashmolean Museum)
Supervised by Dr Jon Topham (Leeds), Ms. Eliza Howlett (Head of Earth Collections, Oxford University Museum of Natural History) and Dr Jim Harris (Ashmolean Museum)
2017 CDP Student Projects at Oxford University Museums
The second round of Oxford University Museums Collaborative Doctoral Partnerships began in October 2017, in partnership with the University of Birmingham, the University of Leicester, and Birkbeck, University of London. The studentships were awarded to Abbey Ellis, Helen Goulston and Beth Hodgett; further details of their research can be found by following the links below:
- Archaeological Plaster Casts: In Search of Authenticity
Abbey Ellis (University of Leicester in partnership with the Ashmolean Museum)
Supervised by Dr Sandra Dudley (Leicester), Dr Milena Melfi and Professor Bert Smith (Oxford)
- Where Art and Science Meet: Art and Design at the Oxford University Museum of Natural History
Helen Goulston (University of Birmingham in partnership with the Oxford University Museum of Natural History)
Supervised by Dr Claire Jones (Birmingham) and Professor Paul Smith (Oxford)
- Visual Archaeology: the photographic character of the archaeology of OGS Crawford
Beth Hodgett (Birkbeck, University of London in partnership with the Pitt Rivers Museum)
Supervised by Dr Lesley McFayden and Dr Jennifer Baird (Birkbeck) and Professor Chris Gosden and Dr Chris Morton (Oxford)
2016 CDP Student Projects at Oxford University Museums
The first round of Oxford University Museums Collaborative Doctoral Partnerships began in October 2016, in partnership with the University of Warwick and the University of Cambridge. The studentships were awarded to George Green and Emily Roy; further details of their research can be found by following the links below:
- Gold Coinage in the Roman World
George Green (University of Warwick in collaboration with the Ashmolean Museum)
Supervised by Professor Kevin Butcher (Warwick), Professor Christopher Howgego and Professor Mark Pollard (Oxford)
- Modernization, cultural exchanges and innovation in Russian print culture: St Petersburg in the Talbot Collection
Emily Roy (University of Cambridge in collaboration with the Ashmolean Museum)
Supervised by Dr Rosalind Blakesley and Dr Wendy Pullan (Cambridge) and Professor Catherine Whistler (Oxford)